We proudly share a studio with No Architecture, with whom we occasionally collaborate when the stars align. For example, NoArch was designing an innovative Mexican restaurant in Fort Mill, SC, when they asked us to join the party (and working with this team IS a party…)
We created the exterior iconic blade neon sign as well as various elements of the interior — not just the visuals but the background “story” of the fabled (but fictitious) Molino Family and their culinary exploits. Once the build was complete, we went on to design and produce the website, and assisted with video and photography. Included in the graphics package was a series of line art and illustrations to infuse character and style throughout the menu.
Photography: Fredrik Brauer
Working with the Newton County Industrial Development Authority (NCIDA), has been a fantastic experience. As agency of record for over 5 years, we’ve had the chance to serve their marketing needs through print, web, video, aerial/drone, motion graphics and photography.
We recently had the opportunity to work on the branding of a collaborative program between University of Pennsylvania School of Dental Medicine and AAL. This included the design of their identity and logo, as well as producing their website, videos and collateral material.
We were asked to help develop a new brand. Working closely with a group of Orthodontists we developed several concepts that covered the e-commerce platform, branded content, and tone of voice. We then created a suite of brand assets as a toolkit that could be used by the Star Aligners marketing team in their communications.
When it comes to producing print collateral, whether that means a brochure, annual report, product catalog or a 12-panel, embossed, soft-touch finish, with spot-UV gloss coat, we’ve got ya covered. We’ll help you identify the best solution for your application, understanding the audience, the story or information you want to clearly convey and the right execution based on your quantity, budget (and sometimes….) timing needs.
Over the last 10 years, we’ve had the chance to work with AAL on a number of marketing initiatives ranging from developing brand strategy and program support to designing their logo, website and catalogs. We’ve also provided general counsel for brand language and tone in an effort to solidify AAL as a leader in their field, clearly communicating their value proposition both internally and externally.
In 2018 we were introduced to motorcycle helmets that integrate AR (augmented reality) as the primary technology helping riders to see all that surrounds them. Utilizing a camera on the rear of the helmet and a pop-up display just below the right eye, this technology communicates not only the visuals of what’s happening behind the rider but also integrates voice command, music, phone, and navigation.
We had 60 days from the start of the project to design a tradeshow booth for the CES (Consumer Electronics Show) in Las Vegas. In under 100 days, we produced a 20’x10’ booth that incorporated a 20’x4’ video wall. We captured content via GoPros, steadycam, and drone, and used 3D modeled renderings and live-action footage to curate a short seamless video that through “moments,” revealed the depth and breadth of the technology.
Christopher Wood was our co-producer on the booth and video, and we enjoyed powerful assistance from Harley Musch, Joel Silverman, Matthew Jones Photography, Carson Nyquist, WitnessCo and Stephen Wahl.
Our mission for Better World Books was to work with their marketing team to tell the story of their collaborative relationship with a commercial real estate company. The campaign to promote their “green bins” relied on espousing the benefits of having one on their land. It was great to work with an organization dedicated to funding literacy programs around the world.
One of the touch points for the brand was developing a dynamic 10’x10’ tradeshow booth that incorporated replaceable graphic panels to accommodate various marketing messages and varying height adjustments depending on venue parameters.
We worked with Toast & Jam Entertainment to bring visual life and spirit to the Denver International Airport during its half-decade of transformation. We launched one of the largest airport art installations with a week of public programming that incorporated live music and DJ sets as David Choe, Sam Flores, and Highraff “live painted” murals on 8’ x 100’ panels that were used as construction barricades between 2012-2017.
Although the art is no longer featured at the airport, this prolific public art experience has left a lasting impression on Denver. David Choe in particular has made a mark with some very memorable murals:
David Choe on Terminal Kings